Blue and cream checkerboard

Finally, an update to the man quilt post I put up a while ago.  This is the finished quilt in its entirety.

When I first started quilting, my Mum recommended that I read a few chapters of The Art of Classic Quiltmaking by Harriet Hargrave and Sharyn Craig.  When my boyfriend T said he wanted to make a quilt, I made him read the same few chapters.  His quilt is based on a pattern in the book, which I scaled up so that he could make a full sized quilt without too many tiny pieces.

All fabrics were sourced from local quilting shops.  The dark fabrics are japanese indigo quilting cottons.  The medium blues are random quilting cottons, and the cream is actually quite an interesting slightly textured fabric with light brown and blue stitches in it.

The backing fabric is rather lovely, and reflects T's love of chillies.  The quilt is bound in the same fabric.  The quilting was again done by Sue Burnett on her long-arm machine, in T's design.

My contribution (other than the teaching) is a matching pillow in the same fabrics and pattern, scaled down.

This was a good way to use up some of the scraps and "reject" blocks that didn't make it into the final quilt.

The quilt and pillow together.  Teaching someone totally new to quilting was quite an interesting experience.  T did very well on the cutting and sewing side of things, and put the quilt together well and very quickly.  The part he found most difficult was choosing the fabrics - I think it was a bit of an exercise in frustration for him.  He obviously enjoyed the experience overall though, because this is not the last quilt he has made.

Canvassing

So in my last post I showed you the mosaic that I made for the Softly Against Black competition over at Stitched in Color.  Guess what?  My mosaic was picked for the final 16!  Thanks Rachel (and secret advisory board).

I would really love to win the fabrics in my mosaic - and if I am lucky enough to win, I will definitely post what I make here.  I can't tell you want I will make yet, but I have about 10 ideas.  You can help me win by voting for my mosaic here.

OK, enough canvassing for votes - normal transmission will resume shortly.

Softly let the dark in

I put this mosaic together to enter the "Softly Against Black" mosaic competition over at Stiched In Color.  All images are from Fresh Modern Fabrics, an etsy shop.

Below is the inspiration quilt.

Picking fabrics and putting together a colour palette is my favourite part of quilting.  I could do it all day.

Equilateral triangle quilt

I spent the weekend cutting triangles for this quilt for my youngest brother.  I laid out the triangles I had cut at my parents' place after our weekly family dinner to work out whether I had cut enough and hopefully make up a pile for each row so I could start putting the quilt together.

I worked out that I didn't have enough triangles (I cut approximately 270 and decided I will actually need about 360) and that more solids would be good.  So I didn't get to make piles to start stitching the rows, but it was progress nevertheless.

Apologies for the blurry photo - it is taken with an iphone under artificial light.  I am very happy with how the colours in this quilt are working, and looking forward to getting it underway.

Fabric aficionados will recognise many of the prints - a non-exhaustive list includes a couple from Lotta Jansdotter's "Echo" line, a couple of Joel Dewberry prints, from Modern Meadow and Aviary 2, some Martha Negley Feathers, a couple of the cross-hatch sketch prints from Timeless Treasures (in cream and red/orange), a couple of prints from Anna Maria Horner's latest collection, Field Study, a grey print from the Monsterz collection from Cloud 9, and a blue from the DS Quilts range I picked up a Spotlight.

Nearly finished and some favourite fabrics

I am hand-stitching the binding to the back of this quilt, and it is very nearly finished.  You can catch a glimpse of the binding clip in this photo below.

This quilt is made from scraps and left-over blocks from a quilt that I made as a wedding present.  The fabric above (from Valori Wells' Nest line) was the inspiration for all the other fabrics and colours in the original quilt.

The wedding quilt was only the second quilt I made, but I ended up with some fabrics that I think will be long-term favourites - like the blue fabric from Anna Maria Horner's Good Folks line above.  If I could easily get more of this, I would.  As it is, I do still have some scraps left but mostly binding strips (2.25 inches wide) and squares for the nine patches used in the original quilt.

I also love this herringbone print from Joel Dewberry's Modern Meadow line.  I have it in a couple of other colours for other projects but I am tempted just to buy some in each colour just in case.  Will post pictures of the entire quilt when it is finished.