Monday, 7 July 2014

Block a Day July - Week 1

Since my decision last week to make a 6.5" square quilt-as-you-go block each day for the month of July, I've been doing exactly that.  Here are my first six blocks.

Block a Day July - the first 6 

Top row, from left to right:  1 July - Passport photo (imaginary self), 2 July - Hello winter, 3 July - Hand printed fabric and thoughts for a friend who had a sad day.

Bottom row, from left to right: 4 July - Dinner with friends (we talked a lot), 5 July - Scaled down star (and liberty just because), 6 July - Hourglass block for a busy day.

Block a Day July - the first 6

For a tutorial on how to make the speech bubble block, see this post.  The star block is a scaled down version of this block.

So far I'm not finding it too tricky to get the blocks done (although I have annoyed my sister by sewing loudly at 11pm at least once...).  I'm enjoying formulating a loose plan for what I'm going to make during the day, and then each block takes about 15 to 20 minutes to put together.

A few people asked me where I was going to take inspiration and colours for my blocks from.  I'm happy to share my ideas but they are just that - ideas.  This is a rule-less challenge and I feel really strongly that people should do what feels right for them.  My blocks are being inspired by what I've done, felt or thought about each day.  I didn't start out with a colour scheme but I did always plan to include bits of black and white throughout the quilt to add a little bit of cohesion.  I am deciding what block to make on the day I make it - there is very little forward planning involved for me.  I know some people are using this challenge as an opportunity to make progress with a particular quilt they're working on, and following a pattern is totally fine too!

Anyway, here is a linky in case other people who are doing the block a day challenge want to link up.  I'll post my previous week's worth of blocks, and the linky, each Monday for the rest of July.

An InLinkz Link-up


Follow on Bloglovin

Saturday, 5 July 2014

Caturday Wisdom #75

Stay curious. Ivy

Cats can't help themselves. Ivy saw the shadow of a bird on the side of the house and it was clearly amazing. She has a funny little face. We used refer to her as the coca cola cat because she looks like a black cat but in the light her fur is actually reddish-brown, like coke if you've ever noticed. She much prefers the cold dregs of a cup of tea to coke though.
Happy weekend!

Friday, 4 July 2014

Winter Plus Quilt

This weekend I finished up the plus quilt I started a couple of weeks ago.

Winter Plus Quilt 

Simple quilting was the order of the day.

Winter Plus Quilt 

I backed this quilt with waffle fabric my dad bought in Japan.  

Winter Plus Quilt 

I also stitched in the ditch along all the seams as well as cross-hatching.  

Winter Plus Quilt

The waffle fabric gives this quilt great drape and it's lovely and soft and cuddly on the back.  It's also made this quilt slightly crinkly already - I can't wait to wash this quilt and see what happens.

In case anyone else wants to try backing a quilt with waffle fabric, here are my tips:

- pre-wash the waffle fabric. I don't usually pre-wash my fabrics but I read somewhere that waffle shrinks a lot, so I pre-washed this waffle and also ran it through the dryer (I stitched the raw edges together using a long stitch before washing to prevent the whole thing from unravelling during this process). It did shrink a lot so that was very worthwhile.

- baste extra thoroughly. I used pins, which is my usual method of basting. I used more pins to baste than I usually would - two in each 3.5" finished square. I don't spray baste, so I don't have any particular tips there, but I wonder whether the woven texture of the waffle fabric might not be ideal for spray basting (I think it might absorb the glue more readily than more tightly woven fabrics). If someone experiments with spray basting waffle fabric, can they let me know?

- use a walking foot. Frankly, I always use a walking foot for straight line quilting and it is so worth the investment. Because the waffle has texture and is more loosely woven than quilting cotton, you really want to minimise the risk of it shifting around under your quilt and creating lumps or puckers. With a walking foot, your sewing machine feeds the quilt from both the top and the bottom which helps avoid this shifting.

- quilt a little more densely than you might otherwise. The risk with backing a quilt with slightly stretchy fabric like waffle (or minky) is that you can get saggy patches between your quilting lines. By having a smaller gap between the quilting lines, you minimise the amount of fabric that can stretch and create a saggy patch.

Quilt Stats
Pattern: made up as I went along plus quilt pattern
Finished Size: approx 35" by 42"
Fabric: many
Backing: waffle
Binding: unknown (no details on the selvedge)
Pieced and quilted by: me

I'll be linking up with finish it up friday at crazy mom quilts.

Follow on Bloglovin

Thursday, 3 July 2014

Thursday Inspiration: Hand printed fabric

Today I want to share some special hand printed fabrics that I think are totally awesome.  Don't worry, the interviews will be back next week.  I just wanted to share some of the other things that inspire me from time to time.

First up is Umbrella Prints.  Based in Australia, they screen print wonderful designs on hemp and cotton base cloths.  I bought a trimmings pack with the intention of entering the Umbrella Prints Trimmings Competition but ran out of time before the competition closing date.  They're still hanging out on my design wall and I love looking at them and plotting what I might make.

Umbrella Prints Trimmings Pack - Earth

When I bought my trimmings pack I also splurged on a Floating World fat quarter set.  The fabrics are seriously gorgeous and lovely to work with (if you look at my Winter Plus Quilt top, you can see that one of the prints has sneaked in at the top right corner).

Floating World Fat Quarter Set

Another person making wonderful hand printed fabrics in Australia is Leslie Keating of Maze and Vale.  I managed to score some sample packs last time they were available and the fabrics are just delightful.

Maze and Vale Sample Packs

Now that I've had a little taste of the Maze and Vale fabrics, I think a larger purchase is in order.  This gorgeous Flight print is high on my list.

Flight in Dove Grey

Karen from Blueberry Park  in the UK has a variety of beautiful designs that she screen prints on a range of fabrics (mostly Kona cotton).

Charm Pack

I recently asked Karen if she would be willing to do a custom order for me, involving printing her designs on this stunning Pretty Potent Solids bundle from Westwood Acres (the fabrics are FreeSpirit designer solids, which are my favourite solid fabrics).  Karen has been absolutely fantastic to deal with and posted this picture of the bundle all printed up and ready to ship out to me (exciting!!!).

Photo from Karen's blog

While I love buying commercially printed fabric, I think there is something special about hand printed fabric.  It's a little bit imperfect, which is part of what I think makes handmade things so charming.  I also like feeling like I'm helping makers live their creative dream by supporting their businesses.

Finally, if fabric hand printed by someone else is outside your budget, consider printing fabric yourself.  I thoroughly enjoyed the fabric printing I did at Handmade, and I've done a little bit more since.  My stamped fabric is no masterpiece, but it's very satisfying nonetheless.  Rubber stamp carving materials are not expensive, and you can always go down the potato carving route if you just want to use things you have to hand.

So - anyone else a fan of hand printed fabric?  Do you have any other makers of hand printed fabric that you love and you'd recommend?  I especially love buying local so if you know of anyone in New Zealand making cool hand printed fabrics, lemme know!

By the way, this is not a sponsored post.  I bought all the fabrics myself and I don't have any special relationship with the fabric printers.  I just genuinely think they are great and merit a recommendation.

Wednesday, 2 July 2014

Diversity in Quilting

Recently, I've been thinking about diversity. Mainly diversity as it relates to quilting and the quilting community. It started when I was asked to speak at Wellington Quilters' Guild, about myself and my quilts, and also about being a young quilter and how guilds can attract the next generation of quilters (like me, I guess was the implication). Then a couple of conversations with upcoming Thursday Inspiration interviewees have made me think harder about diversity in the quilting community.

Where I get to is that I think diversity is important. I LOVE the online quilting community. It's full of people who are enthusiastic, kind, generous, supportive, and obsessed with quilting in the same way that I am.  We are all bound by a common interest and that is truly fantastic. But I don't know that we do diversity particularly well. My experience suggests that the offline quilting community is even less diverse.

So, I want to talk about a few things. One - why do I think diversity is a good thing? Two - why do I think the quilting community, online and offline, could do better? And three - how do we encourage diversity?

To start off, I want to briefly explain what I mean by diversity.  I'm not just talking about the really obvious things like gender, race, sexual orientation and age (but obviously they are important).  I'm also talking about people from a variety of different cultural, educational and socio-economic backgrounds.  Different ways of thinking about things are relevant too.

Why is diversity important?

People with different backgrounds have different perspectives, and they bring those perspectives to everything they do, including quilting.  Amongst quilters, those different perspectives lead to people making lots of different quilts.

If everyone made the same kind of quilts (a) that would be really boring, and (b) it would be extremely difficult to imagine that you could make a different kind of quilt.  When you get to see lots of different things, it gives you ideas, and more importantly, the idea that you can do something thats not the same as everything that went before.

You won't like all the quilts.  I don't.  That's good.  I've learned the most about what I like and what I want my quilts to be like by looking at quilts I don't like and analysing what exactly it is I don't like about them.  You might feel a strong reaction (negative or positive) to certain quilts.  That's good too. Take some time, think about your reaction. Analyse it, and use it to make decisions about the kinds of quilts you want to make.

Being inclusive isn't just the right thing to do - it's also linked with better outcomes. Studies show that diversity in the corporate context improves financial performance.  Diversity is also linked with enhanced creativity and better problem solving skills.  Don't those sound like things that would be really helpful in the quilting context?

Ultimately, here's what I think it comes down to.  I think letting everyone who wants to participate in quilting and be part of the quilting community is the right thing to do.  I also think having lots of different quilters in our community will make us all better quilters.

Why do I think we can do better?

This is the part where I feel nervous, because I don't want to be overly critical of a community that, overall, I love.  BUT, even my limited experiences as someone who doesn't totally fit the mould of what people expect a quilter to be suggest that we could do better.

In New Zealand, most quilters are white, female, and of a certain age.  I'm white, and female, but my age always gets a comment.  When going to new-to-me quilting shops, I'm often treated like I must be lost, and I certainly don't feel welcomed as a potential customer.  At quilt guild meetings, on more than one occasion, I've had people ask me whether I'm a quilter (no, I'm just hanging out at this quilt guild meeting because...what????).  This kind of treatment has dropped off as I've aged (it's been nearly 8 years since I first started buying fabric) and once people get to know me and realise that I'm actually a quilter, they are much friendlier.  There's still this barrier which makes entry into the quilting community more of a challenge than it should be though.  I have friends in my age bracket who have received the same treatment so I know I'm not the only one who feels this way.

I'm fully aware that I am in a highly privileged position, and the way I diverge from the "average quilter" (i.e., my age) is pretty harmless.  I also think that being different is sometimes an advantage - because I stand out, I'm noticeable and people remember me.  But if it was difficult for me, in my privileged position, to feel like a welcome member of the quilting community, how hard must it be for people who are or feel even less like "the average quilter"?

In general, I think the online quilting community is very supportive and welcoming and maybe a bit more accepting of diversity or at least people doing things in different ways.  The thing that I think we could do better in the online community is accepting that it's ok to have a view that isn't the same is everyone else's.  I feel like there is an attitude of "if you don't have anything nice to say, don't say anything at all", and this can suppress debate and discussion about things we should be talking about, and can make it difficult for people who have a different view on things to participate and express their views.

How do we encourage diversity?

Why isn't there more diversity in the quilting community (or any community, really)?  The simplest answer - it's easy to hang out with people who are similar to you.  It's comfortable.  You probably all have similar values, and the same cultural contexts.  I get that.  It's part of the reason that encouraging diversity is so hard.  It's not like there are overt rules which say "you can't participate in quilting unless you are...".

So here are some things I've thought of that we can do, in a practical way, to ensure that everyone feels included in our quilting community:

- if you're a member of a guild, and you see a new person at a meeting, even if it's not "your job", take the initiative to greet them, show them around, and introduce them to people.  Ask them some neutral questions, like "what kind of quilts do you like to make?" or "what are you working on at the moment?".

- if you're in a situation where people are disparaging a certain category of people, and you don't agree with that they're saying, challenge it.  I think a lot of the time people don't really think about the implications of what they are saying.  A good example is when we talk about the general uselessness of the men in our lives (guilty!).  It seems harmless, but imagine how unwelcome a male quilter would feel in that scenario.  I know I always enjoy when people talk about how terrible millennials (holla!) are in front of me.

- if you have a quilting shop, try and make everyone feel welcome.  Don't ignore the newbies in favour of long chats with the regulars.  Don't assume that man is just tagging along with his wife - he might be a quilter himself.  That child or teenager might be a budding quilter.  Ask some questions!

- if you see someone making quilts which are totally not your style, make an effort to engage with them and ask them some questions, in a respectful way, about what they're doing and why.  You might be surprised and at the very least I bet you'll learn something.

- online, I would love to see people voicing their opinions, even when they're not positive, a bit more.  Of course, I think this should be done constructively and respectfully, and in the full knowledge that you're probably talking about the work of a real person who has feelings just like you do. I think that will make it easier for other people to express their own views as well.

Mainly, I think encouraging diversity in the quilting community is about breaking down the barriers that prevent or discourage people from joining.  I think the key is to recognise that it is more difficult for some people to feel welcome in the quilting community, and to examine our own behaviour to see what we can do to make them feel welcome and included.

I'm a bit nervous putting this post out there, but ultimately I think allowing everyone who wants to be part of the quilting community to join in is crucial to the future of quilting, and is so important that it's worth any negative reaction I receive.  Even if you disagree with me, I'd love to read your comments, as long as they are expressed in a respectful and constructive way.

Follow on Bloglovin